{"id":3418,"date":"2020-08-15T00:10:00","date_gmt":"2020-08-14T22:10:00","guid":{"rendered":"http:\/\/tom-stehule.com\/?p=3418"},"modified":"2020-10-29T15:06:41","modified_gmt":"2020-10-29T14:06:41","slug":"kniha-keltuv-sen","status":"publish","type":"post","link":"https:\/\/tom-stehule.com\/es\/2020\/08\/15\/kniha-keltuv-sen\/","title":{"rendered":"Kniha: Kelt\u016fv sen"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\" style=\"font-size:17px\"><b>P\u0159ed \u010dasem jsem se n\u00e1hodou dostal do antikvari\u00e1tu, kde jsem p\u0159i ledabyl\u00e9m proch\u00e1zen\u00ed knih objevil jednu, kter\u00e1 m\u011b zaujala. P\u0159izn\u00e1m se, \u017ee m\u011b zaujala p\u0159edev\u0161\u00edm t\u00edm, kdo ji napsal. Mario Vargas Llosa je peru\u00e1nsk\u00fd spisovatel, kter\u00fd v&nbsp;roce 2010 obdr\u017eel Nobelovu cenu za literaturu.<\/b><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/tom-stehule.com\/wp-content\/uploads\/2020\/08\/mario-vargas-llosa-keltuv-sen_ex.jpg\" alt=\"\" class=\"wp-image-3424\" width=\"303\" height=\"448\" srcset=\"https:\/\/tom-stehule.com\/wp-content\/uploads\/2020\/08\/mario-vargas-llosa-keltuv-sen_ex.jpg 474w, https:\/\/tom-stehule.com\/wp-content\/uploads\/2020\/08\/mario-vargas-llosa-keltuv-sen_ex-203x300.jpg 203w\" sizes=\"auto, (max-width: 303px) 100vw, 303px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">Jeho rom\u00e1n Kelt\u016fv sen (orig. \u201cEl sue\u00f1o del celta\u201d, 2010) obsahuje v&nbsp;kostce v\u0161echna t\u00e9mata se kter\u00fdmi autor tak r\u00e1d pracuje. U n\u00e1s rom\u00e1n vy\u0161el prvn\u011b v&nbsp;roce 2011 u nakladatelstv\u00ed Garamond. Knihu jsem si koupil a zde je ve zkratce jej\u00ed p\u0159\u00edb\u011bh.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">Kniha je \u017eivotn\u00edm p\u0159\u00edb\u011bhem legend\u00e1rn\u00edho a rozporupln\u00e9ho mu\u017ee: Ira <\/span><b>Rogera Casementa, <\/b><span style=\"font-weight: 400;\">kter\u00fd p\u016fsobil ve slu\u017eb\u00e1ch britsk\u00e9 diplomacie. Hrdina a dareb\u00e1k, zr\u00e1dce a libertari\u00e1n, mor\u00e1ln\u00ed a nemor\u00e1ln\u00ed, jeho mnohon\u00e1sobn\u00e1 postava sl\u00e1bne a po jeho smrti se znovu narod\u00ed.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">Kniha sleduje 3 hlavn\u00ed d\u011bjov\u00e9 linie. Ta prvn\u00ed n\u00e1s zavede do Konga, kter\u00e9 existuje pod patron\u00e1tem belgick\u00e9ho kr\u00e1le Leopolda II. Casement hrub\u011b nesouhlas\u00ed s&nbsp;n\u00e1sil\u00edm, zotro\u010dov\u00e1n\u00edm a vyko\u0159is\u0165ov\u00e1n\u00edm m\u00edstn\u00edch obyvatel. To sam\u00e9 v&nbsp;trochu jin\u00e9m aran\u017em\u00e1 se pozd\u011bji d\u011bje i na kau\u010dukov\u00fdch plant\u00e1\u017e\u00edch v&nbsp;Peru. Kniha popisuje jeho boj za pr\u00e1va domorodc\u016f a postupn\u011b se prol\u00edn\u00e1 do boje za samostatnost Irska. Casement byl jeden z&nbsp;prvn\u00edch Evropan\u016f, kter\u00fd odsoudil hr\u016fzy kolonialismu.&nbsp;<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">Z&nbsp;jeho v\u00fdlet\u016f do belgick\u00e9ho Konga a jihoamerick\u00e9 Amazonie napsal dv\u011b nezapomenuteln\u00e9 zpr\u00e1vy, kter\u00e9 \u0161okovaly spole\u010dnost t\u00e9 doby. Tyto dv\u011b cesty a to, co tam vid\u011bl, nav\u017edy Casementa zm\u011bnilo. D\u00edky tomu se pozd\u011bji vyd\u00e1 na dal\u0161\u00ed cestu, v&nbsp;tomto p\u0159\u00edpad\u011b intelektu\u00e1ln\u00ed a ob\u010danskou, stejn\u011b jako devastuj\u00edc\u00ed. Byl to jeho irsk\u00fd nacionalismus, kter\u00fd ho p\u0159im\u011bl \u010delit Anglii, kterou z\u00e1rove\u0148 obdivoval. Tak\u00e9 v&nbsp;soukrom\u00ed byl Roger Casement \u010dlov\u011bk mnoha tv\u00e1\u0159\u00ed: \u010d\u00e1sti jeho osobn\u00edho den\u00edku zve\u0159ejn\u011bn\u00e9 v&nbsp;posledn\u00edch dnech jeho \u017eivota, n\u011bkolik drsn\u00fdch sexu\u00e1ln\u00edch dobrodru\u017estv\u00ed, mu vyneslo pohrd\u00e1n\u00ed mnoha krajany. Keltsk\u00fd sen popisuje existenci\u00e1ln\u00ed dobrodru\u017estv\u00ed, ve kter\u00e9m se temnota lidsk\u00e9 du\u0161e objevuje ve sv\u00e9m nej\u010dist\u0161\u00edm, a tedy i nejasn\u00e9m stavu. Kv\u016fli sv\u00e9 anga\u017eovanosti v&nbsp;boji za irskou nez\u00e1vislost v\u0161ak byl Casement posl\u00e9ze Brity zadr\u017een a popraven.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">Keltsk\u00fd sen tak jen potvrzuje, \u017ee si autor Nobelovu cenu pr\u00e1vem zasluhuje. Kniha spojuje to nejlep\u0161\u00ed z&nbsp;autorova tv\u016fr\u010d\u00edho \u017eivota, je bohat\u011b psan\u00e1 a obohat\u00ed \u010dten\u00e1\u0159e o pohled na dobu krutosti tehdej\u0161\u00ed doby, cenu \u017eivota a \u00farove\u0148 tehdej\u0161\u00ed spole\u010dnosti.<\/span><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"338\" src=\"https:\/\/tom-stehule.com\/wp-content\/uploads\/2020\/08\/Llosa_ex.jpg\" alt=\"\" class=\"wp-image-3422\" srcset=\"https:\/\/tom-stehule.com\/wp-content\/uploads\/2020\/08\/Llosa_ex.jpg 600w, https:\/\/tom-stehule.com\/wp-content\/uploads\/2020\/08\/Llosa_ex-300x169.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>P\u0159i p\u0159\u00edle\u017eitosti 25.&nbsp;ro\u010dn\u00edku veletrhu Sv\u011bt knihy se 10.&nbsp;kv\u011btna 2019 v&nbsp;Praze uskute\u010dnila beseda s&nbsp;peru\u00e1nsk\u00fdm spisovatelem Mario Vargasem Llosou. Zdroj: (\u010cTK Photo\/Roman Vondrous)<\/figcaption><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>\u017d\u00e1nr:<\/td><td>Literatura sv\u011btov\u00e1, Rom\u00e1ny<\/td><\/tr><tr><td>Vyd\u00e1no:<\/td><td>2011, Garamond<\/td><\/tr><tr><td>Orig. n\u00e1zev:<\/td><td>El sue\u00f1o del celta, 2010<\/td><\/tr><tr><td>Po\u010det stran:<\/td><td>416<\/td><\/tr><tr><td>Jazyk vyd\u00e1n\u00ed:<\/td><td>\u010desk\u00fd<\/td><\/tr><tr><td>P\u0159eklad:<\/td><td>Jana Novotn\u00e1<\/td><\/tr><tr><td>Edice:<\/td><td>Transatlantika (17.)<\/td><\/tr><tr><td>Vazba knihy:<\/td><td>pevn\u00e1 \/ v\u00e1zan\u00e1<\/td><\/tr><tr><td>ISBN:<\/td><td>978-80-7407-121-8<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n","protected":false},"excerpt":{"rendered":"<p>P\u0159ed \u010dasem jsem se n\u00e1hodou dostal do antikvari\u00e1tu, kde jsem p\u0159i ledabyl\u00e9m proch\u00e1zen\u00ed knih objevil jednu, kter\u00e1 m\u011b zaujala. P\u0159izn\u00e1m se, \u017ee m\u011b zaujala p\u0159edev\u0161\u00edm t\u00edm, kdo ji napsal. Mario Vargas Llosa je peru\u00e1nsk\u00fd spisovatel, kter\u00fd v&nbsp;roce 2010 obdr\u017eel Nobelovu cenu za literaturu.<\/p>\n","protected":false},"author":1,"featured_media":3420,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_exactmetrics_skip_tracking":false,"__cvm_playback_settings":[],"__cvm_video_id":"","footnotes":""},"categories":[37],"tags":[5,180,181,4],"class_list":["post-3418","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-historie","tag-jizni-amerika","tag-kongo","tag-mario-vargas-llosa","tag-peru"],"translation":{"provider":"WPGlobus","version":"3.0.6","language":"es","enabled_languages":["cz","es"],"languages":{"cz":{"title":true,"content":true,"excerpt":true},"es":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/posts\/3418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/comments?post=3418"}],"version-history":[{"count":6,"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/posts\/3418\/revisions"}],"predecessor-version":[{"id":3523,"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/posts\/3418\/revisions\/3523"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/media\/3420"}],"wp:attachment":[{"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/media?parent=3418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/categories?post=3418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/tags?post=3418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}