{"id":3935,"date":"2021-10-02T00:10:00","date_gmt":"2021-10-01T22:10:00","guid":{"rendered":"http:\/\/tom-stehule.com\/?p=3935"},"modified":"2023-03-17T16:05:46","modified_gmt":"2023-03-17T15:05:46","slug":"palpa-poodkryla-tajemne-poselstvi","status":"publish","type":"post","link":"https:\/\/tom-stehule.com\/es\/2021\/10\/02\/palpa-poodkryla-tajemne-poselstvi\/","title":{"rendered":"Palpa revel\u00f3 un mensaje secreto"},"content":{"rendered":"

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Samotn\u00e1 n\u00e1horn\u00ed plo\u0161ina je dvakr\u00e1t v\u011bt\u0161\u00ed ne\u017e Nazca, ale rozmanitost geoglyf\u016f v Palp\u011b je mnohem v\u011bt\u0161\u00ed. Stejn\u011b jako v Nazce, na n\u00e1horn\u00ed plo\u0161in\u011b Palpa, drtiv\u00e1 v\u011bt\u0161ina obraz\u016f jsou pruhy a \u010d\u00e1ry, p\u00e1sy desetkr\u00e1t \u0161ir\u0161\u00ed ne\u017e \u010d\u00e1ry a \u010dasto maj\u00ed lichob\u011b\u017en\u00edkov\u00fd konec. Pruhy se rozd\u011bluj\u00ed, m\u011bn\u00ed sm\u011br do prav\u00e9ho \u00fahlu, p\u0159esunuj\u00ed se do troj\u00faheln\u00edk\u016f. Logika starov\u011bk\u00fdch tv\u016frc\u016f tohoto komplexu obraz\u016f z\u016fst\u00e1v\u00e1 pro modern\u00ed badatele nep\u0159\u00edstupn\u00e1.<\/b><\/p>\r\n

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Krom\u011b toho se komplex Palpa v\u00fdrazn\u011b vyzna\u010duje neobvykl\u00fdm reli\u00e9fem. Pokud je n\u00e1horn\u00ed plo\u0161ina Nazca obrovskou opu\u0161t\u011bnou n\u00e1horn\u00ed plo\u0161inou, pak je Palpa tvo\u0159ena spoustou n\u00edzk\u00fdch kopc\u016f, na jejich\u017e pl\u00e1n\u00edch a na jejich ploch\u00fdch vrcholc\u00edch se t\u00e1hnou \u0161irok\u00e9 \u010dlov\u011bkem vyroben\u00e9 pruhy a linie. Vrcholky n\u011bkter\u00fdch kopc\u016f se zdaj\u00ed b\u00fdt jakoby od\u0159\u00edznuty obrovsk\u00fdm no\u017eem, a jejich povrch je ploch\u00fd a vyrovnan\u00fd.<\/span><\/p>\r\n

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Palpa. Zdroj: [1]<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Na n\u00e1horn\u00ed plo\u0161in\u011b Palpa jsou p\u00e1sy, jej\u00ed\u017e \u0161\u00ed\u0159ka dosahuje n\u011bkolika set metr\u016f. Stejn\u011b jako v Nazce se zde pruhy a \u010d\u00e1ry k\u0159\u00ed\u017e\u00ed a p\u0159ekr\u00fdvaj\u00ed, co\u017e jasn\u011b ozna\u010duje n\u011bkolik r\u016fzn\u00fdch obdob\u00ed tvorby obrazu. Na n\u00e1horn\u00ed plo\u0161in\u011b Nazca je pouze jedna kresba zobrazuj\u00edc\u00ed humanoidn\u00ed stvo\u0159en\u00ed, tzv. “astronaut”. Nach\u00e1z\u00ed se na svahu mal\u00e9ho kopce a dosahuje v\u00fd\u0161ky 30 m. A v Palp\u011b je asi tucet obraz\u016f lidsk\u00fdch bytost\u00ed. Jsou vyrobeny r\u016fzn\u00fdmi zp\u016fsoby a s r\u016fzn\u00fdm stupn\u011bm slo\u017eitosti a zna\u010dn\u011b se li\u0161\u00ed velikost\u00ed. V\u0161echny kresby humanoidn\u00edch tvor\u016f jsou um\u00edst\u011bny na svaz\u00edch kopc\u016f, nikoli na vodorovn\u00e9m povrchu n\u00e1horn\u00ed plo\u0161iny. Humanoidn\u00ed stvo\u0159en\u00ed maj\u00ed podivn\u00e9 pokr\u00fdvky hlavy ve form\u011b klobouk\u016f, pe\u0159\u00ed nebo dokonce n\u011b\u010deho podobn\u00e9ho zaoblen\u00e9 helm\u011b. Krom\u011b toho je v Palp\u011b zn\u00e1mo n\u011bkolik obr\u00e1zk\u016f zv\u00ed\u0159at: velryby, pt\u00e1ci podobn\u00ed kondorovi a r\u016fzn\u00ed savci.<\/span><\/p>\r\n

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Palpa. Zdroj: [1]<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Ale to, co odli\u0161uje komplex Palpa od kreseb v Nazce, je p\u0159\u00edtomnost n\u011bkolika geometrick\u00fdch obraz\u016f, n\u00e1padn\u00fdch svou slo\u017eitost\u00ed a matematickou \u0161t\u00edhlost\u00ed proporc\u00ed. P\u0159edev\u0161\u00edm se jedn\u00e1 o kresbu, kterou m\u00edstn\u00ed naz\u00fdvaj\u00ed “hv\u011bzdou”, i kdy\u017e v\u011bt\u0161ina tohoto obrazu je podobn\u00e1 tradi\u010dn\u00ed indick\u00e9 mandale. Kresba je slo\u017eit\u00e1 kompozice, jej\u00ed\u017e auto\u0159i se zjevn\u011b nesn\u00ed\u017eili vytvo\u0159it n\u011bjak\u00fd geometrick\u00fd vzor, p\u016fsob\u00edc\u00ed jako jednoduch\u00e1 ozdoba. Nen\u00ed pochyb o tom, \u017ee tento obr\u00e1zek nese konkr\u00e9tn\u00ed informace za\u0161ifrovan\u00e9 podle ur\u010dit\u00e9ho k\u00f3du. “Hv\u011bzda” jsou t\u0159i kruhy, dva mal\u00e9 a jeden velk\u00fd st\u0159ed, vz\u00e1jemn\u011b propojen\u00e9 linie v jedn\u00e9 kompozici, jej\u00ed\u017e celkov\u00e1 velikost je asi kilometr dlouh\u00e1.<\/span><\/p>\r\n

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Palpa. Zdroj: [1]<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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St\u0159ed kompozice je osmic\u00edp\u00e1 hv\u011bzda, kter\u00e1 se snoub\u00ed ze dvou \u010dtverc\u016f p\u0159ekryt\u00fdch pod \u00fahlem 45 stup\u0148\u016f sm\u011brem k sob\u011b. Ve “hv\u011bzd\u011b” je veps\u00e1n dvojit\u00fd kruh, ve st\u0159edu vnit\u0159n\u00edho kruhu jsou dva prot\u00ednaj\u00edc\u00ed se obd\u00e9ln\u00edky, kter\u00e9 tvo\u0159\u00ed dal\u0161\u00ed \u010dtverec a uvnit\u0159 – \u0161estn\u00e1ct paprskov\u00fdch hv\u011bzd. V cel\u00e9 kompozici, na pr\u016fse\u010d\u00edku slo\u017een\u00ed geometrick\u00fdch tvar\u016f, jsou kulat\u00e9 otvory, druh zna\u010dek. A kruhy mal\u00fdch krou\u017ek\u016f, kter\u00e9 se nach\u00e1zej\u00ed po stran\u00e1ch st\u0159edu, nejsou vyrobeny \u010d\u00e1rou, ale \u0159et\u011bzy stejn\u00fdch otvor\u016f. St\u0159edy t\u011bchto mal\u00fdch prstenc\u016f zobrazuj\u00ed osmic\u00edp\u00e9 hv\u011bzdy. Nen\u00ed pochyb o tom, \u017ee kresba “hv\u011bzdy” je jedn\u00edm z kl\u00ed\u010dov\u00fdch objekt\u016f v cel\u00e9m komplexu Palpa, jen jeho v\u00fdznam z\u016fst\u00e1v\u00e1 p\u0159ed n\u00e1mi skryt.<\/span><\/p>\r\n

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Palpa. Zdroj: [1]<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Dal\u0161\u00ed, nem\u00e9n\u011b tajemn\u00fd obraz, je jen kilometr od “hv\u011bzdy”. M\u00edstn\u00ed pr\u016fvodci tomu \u0159\u00edkaj\u00ed “slune\u010dn\u00ed hodiny”, proto\u017ee v\u011b\u0159\u00ed, \u017ee kresba byla pou\u017eita k pozorov\u00e1n\u00ed slunce. Tvrd\u00ed, \u017ee v ur\u010dit\u00fdch dnech, nap\u0159\u00edklad ve dnech slunovratu, paprsky slunce odr\u00e1\u017e\u00ed od povrchu, d\u00edky oxidu hlinit\u00e9mu p\u0159\u00edtomn\u00e9mu na kresb\u011b. St\u0159ed kompozice je reprezentov\u00e1n dvojitou spir\u00e1lou nebo labyrintem, jej\u00ed\u017e osciluj\u00edc\u00ed linie vedou dv\u011bma sm\u011bry. Vedle hodin je cel\u00e1 sada p\u00e1sem a \u010dar, kter\u00e9 se ve zd\u00e1nliv\u00e9m zmatku k\u0159\u00ed\u017e\u00ed. Na jednom konci tohoto obr\u00e1zku je mal\u00fd obraz lidsk\u00e9 hlavy se dv\u011bma vysok\u00fdmi “rohy” nebo pe\u0159\u00edm a pod n\u00edm – kroucen\u00fd had. Obrazy hada nejsou zn\u00e1my nikde jinde v Palp\u011b a Nazce, ale motiv sv\u00edjej\u00edc\u00edho se hada je velmi typick\u00fd pro starov\u011bk\u00e9 indick\u00e9 kultury Peru.<\/span><\/p>\r\n

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Palpa. Zdroj: [1]<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Dal\u0161\u00edm tajemn\u00fdm obrazem je obd\u00e9ln\u00edkov\u00fd “st\u016fl” um\u00edst\u011bn\u00fd na vrcholu n\u00edzk\u00e9ho kopce. Skl\u00e1d\u00e1 se z lini\u00ed prot\u00ednaj\u00edc\u00edch se jako na \u0161achovnici: 36 p\u0159\u00ed\u010dn\u00fdch a 15 pod\u00e9ln\u00fdch. Tyto \u010d\u00e1ry nejsou pevn\u00e9, skl\u00e1daj\u00ed se z mal\u00fdch obd\u00e9ln\u00edkov\u00fdch otvor\u016f, kter\u00e9 jsou te\u010dkovan\u00e9, a tak tvo\u0159\u00ed tabulku mnoha k\u0159\u00ed\u017e\u016f. P\u0159ekvapiv\u011b je tento obraz ze vzduchu jasn\u011b viditeln\u00fd, proto\u017ee cel\u00fd st\u016fl sv\u00edt\u00ed, jako by byl vyroben z b\u0159idlicov\u00fdch hornin. Vedle “stolu” je cel\u00fd “paprsek” jemn\u00fdch \u010dar, kter\u00e9 p\u0159ekr\u00fdvaj\u00ed postavu osoby. A na vrcholu \u010dar je obraz kruhu skl\u00e1daj\u00edc\u00edho se z osmi mal\u00fdch \u010dtverc\u016f. To znamen\u00e1, \u017ee tento komplex kreseb byl vyroben nezn\u00e1m\u00fdmi starov\u011bk\u00fdmi mistry nejm\u00e9n\u011b ve t\u0159ech kroc\u00edch.<\/span><\/p>\r\n

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Palpa. Zdroj: [1]<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Obecn\u011b plat\u00ed, \u017ee plo\u0161ina Palpa je v\u00fdrazn\u011b lep\u0161\u00ed ne\u017e Nazca jak v rozmanitosti obr\u00e1zk\u016f, tak ve velikosti. Pr\u00e1v\u011b v Palp\u011b bylo objeveno 200 m \u0161irok\u00e9 p\u00e1smo. Podle n\u011bkter\u00fdch v\u011bdc\u016f zde existuj\u00ed linie, kter\u00e9 jsou mnohem del\u0161\u00ed ne\u017e v Nazce.\u00a0 Velikost nejdel\u0161\u00ed z nich \u00fadajn\u011b dosahuje 23 km!<\/span><\/p>\r\n

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Palpa. Zdroj: [1]<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Peru\u00e1nsk\u00fd kulturn\u00ed institut v Lim\u011b je v sou\u010dasn\u00e9 dob\u011b zodpov\u011bdn\u00fd za studium a ochranu komplexu Nazcy, ale nem\u00e1 dostatek finan\u010dn\u00edch prost\u0159edk\u016f na prov\u00e1d\u011bn\u00ed rozs\u00e1hl\u00e9ho ter\u00e9nn\u00edho v\u00fdzkumu. Asi p\u011bt let pracuje na n\u00e1horn\u00ed plo\u0161in\u011b italsk\u00e1 expedice, ale rozsah pr\u00e1ce n\u00e1m neumo\u017e\u0148uje doufat v rychl\u00e9 v\u00fdsledky. Je nutn\u00e1 dlouhodob\u00e1 integrovan\u00e1 expedice, schopn\u00e1 nejen m\u011b\u0159it obrazy, ale tak\u00e9 geologick\u00fd a archeologick\u00fd v\u00fdzkum.<\/span><\/p>\r\n

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Palpa. Zdroj: [1]<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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P\u0159es ve\u0161kerou hojnost hypot\u00e9z o p\u016fvodu a \u00fa\u010delu geoglyf\u016f v Nazce a Palp\u011b, dnes v\u011bdci nejsou o nic bl\u00ed\u017ee k vy\u0159e\u0161en\u00ed tohoto tajemstv\u00ed. Je t\u011b\u017ek\u00e9 p\u0159edpokl\u00e1dat, \u017ee tak obrovsk\u00e9 mno\u017estv\u00ed pr\u00e1ce, srovnateln\u00e9 v m\u011b\u0159\u00edtku snad jen s v\u00fdstavbou Velk\u00e9 \u010d\u00ednsk\u00e9 zdi, bylo vyrobeno s jedin\u00fdm utilit\u00e1rn\u00edm \u00fa\u010delem. V\u0161echny grandi\u00f3zn\u00ed a v\u00fdznamn\u00e9 lidsk\u00e9 struktury se v\u017edy zab\u00fdvaly konkr\u00e9tn\u00edmi \u00fakoly, i kdy\u017e n\u00e1m dnes s odstupem \u010dasu nejsou jasn\u00e9.<\/span><\/p>\r\n

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Palpa. Zdroj: [1]<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Komplexy Nazca a Palpa se vyzna\u010duje jedn\u00edm z\u00e1sadn\u011b d\u016fle\u017eit\u00fdm rysem, kter\u00fd lze nazvat “podm\u00edn\u011bn\u00fdm utajen\u00edm”. Koneckonc\u016f, v\u0161echny tyto obrazy lze vid\u011bt pouze ze vzduchu, tj. jejich v\u00fdroba nebyla zam\u011b\u0159ena na lidi, kte\u0159\u00ed v regionu \u017eili.<\/span><\/p>\r\n

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Palpa. Zdroj: [1]<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Tak pro koho? Mo\u017en\u00e1 je to jak\u00e1si obrovsk\u00e1 kniha, jej\u00ed\u017e tv\u016frci doufali, \u017ee ve vzd\u00e1len\u00e9 budoucnosti budou lid\u00e9 schopni \u010d\u00edst zpr\u00e1vy napsan\u00e9 ve v\u0161eobecn\u00e9m jazyce matematiky?<\/span><\/p>\r\n

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Palpa. Zdroj: [1]<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Studium tohoto komplexu d\u00e1le komplikuje skute\u010dnost, \u017ee st\u00e1le neexistuj\u00ed \u017e\u00e1dn\u00e9 podrobn\u00e9 mapy, kter\u00e9 by ukazovaly cel\u00fd obraz geoglyf\u016f oblasti. Ameri\u010dan\u00e9 pou\u017eili leteck\u00e9 sn\u00edmky k vytv\u00e1\u0159en\u00ed pom\u011brn\u011b podrobn\u00fdch diagram\u016f t\u00e9to \u010d\u00e1sti n\u00e1horn\u00ed plo\u0161iny Nazca, kter\u00e1 zobrazuje zn\u00e1m\u00e9 postavy zv\u00ed\u0159at. Ale podrobn\u00e9 pl\u00e1ny cel\u00e9ho komplexu, a je\u0161t\u011b v\u00edce, n\u00e1horn\u00ed plo\u0161iny Palpa a\u017e dosud neexistuje.<\/span><\/p>\r\n

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Palpa. Zdroj: [1]<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Piloti turistick\u00fdch letadel l\u00e9taj\u00ed na standardn\u00edch tras\u00e1ch a ukazuj\u00ed turist\u016fm nejpozoruhodn\u011bj\u0161\u00ed a srozumiteln\u00e9 nesofistikovan\u00e9 obr\u00e1zky. Z\u00e1rove\u0148 sami piloti \u0159\u00edkaj\u00ed, \u017ee t\u00e9m\u011b\u0159 ka\u017ed\u00fd rok objevuj\u00ed na n\u00e1horn\u00ed plo\u0161in\u011b nov\u00e9 geoglyfy. A n\u011bkte\u0159\u00ed m\u00edstn\u00ed pr\u016fvodci tvrd\u00ed, \u017ee d\u00e1le na v\u00fdchod od Palpy v hor\u00e1ch jsou dal\u0161\u00ed n\u00e1horn\u00ed plo\u0161iny s podobn\u00fdmi liniemi a kresbami, kter\u00e9 nikdo z badatel\u016f nevid\u011bl a ani nev\u00ed o jejich existenci. Tato tajemn\u00e1 z\u00e1hada tak m\u00edsto \u0159e\u0161en\u00ed poskytuje jen dal\u0161\u00ed a dal\u0161\u00ed ot\u00e1zky, na kter\u00e9 krom\u011b n\u011bkolika hypot\u00e9z nem\u00e1me odpov\u011bdi.<\/span><\/p>\r\n

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Palpa. Zdroj: [1]<\/figcaption>\r\n<\/figure>\r\n<\/div>\r\n

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Zdroj:<\/span><\/p>\r\n

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[1] \u0413\u0435\u043e\u0433\u043b\u0438\u0444\u044b \u043f\u043b\u0430\u0442\u043e \u041f\u0430\u043b\u044c\u043f\u0430: \u0442\u0430\u0438\u043d\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0435 \u043f\u043e\u0441\u043b\u0430\u043d\u0438\u0435 \u0441\u043e \u0432\u0441\u0435\u043c\u0438 \u043d\u0435\u0438\u0437\u0432\u0435\u0441\u0442\u043d\u044b\u043c\u0438. 05.04.2021. Online: <\/span>https:\/\/zen.yandex.ru\/media\/lah\/geoglify-plato-palpa-tainstvennoe-poslanie-so-vsemi-neizvestnymi-605f42c696354e3b8a38f732<\/span><\/a><\/p>\r\n

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La meseta es dos veces m\u00e1s grande que Nazca, pero la diversidad de geoglifos en Palpa es mucho mayor. Como en Nazca, en la meseta de Palpa, la gran mayor\u00eda de las im\u00e1genes son franjas y l\u00edneas, bandas diez veces m\u00e1s anchas que las l\u00edneas y a menudo trapezoidales. Las franjas se dividen, cambian de direcci\u00f3n a \u00e1ngulos rectos, se convierten en tri\u00e1ngulos. La l\u00f3gica de los antiguos creadores de este conjunto de im\u00e1genes sigue siendo inaccesible para los estudiosos modernos.<\/p>\n","protected":false},"author":1,"featured_media":3936,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_crdt_document":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"__cvm_playback_settings":[],"__cvm_video_id":"","footnotes":""},"categories":[32],"tags":[34,5,204,4,43],"class_list":["post-3935","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-zahady","tag-archeologie","tag-jizni-amerika","tag-palpa","tag-peru","tag-zahady"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"es","enabled_languages":["cz","es"],"languages":{"cz":{"title":true,"content":true,"excerpt":true},"es":{"title":true,"content":false,"excerpt":true}}},"_links":{"self":[{"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/posts\/3935","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/comments?post=3935"}],"version-history":[{"count":3,"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/posts\/3935\/revisions"}],"predecessor-version":[{"id":4637,"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/posts\/3935\/revisions\/4637"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/media\/3936"}],"wp:attachment":[{"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/media?parent=3935"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/categories?post=3935"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tom-stehule.com\/es\/wp-json\/wp\/v2\/tags?post=3935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}